Calling Out For You Page 24

  "Come on," he said to the dog. "Come on, time we went home."

  "Einar Emil Sunde?"

  Einar squeezed a cloth between his hands.

  "Yes?"

  Two women were sitting there each with their coffee. They were staring openly. He had to support himself on the counter. Lillian was gone. Half the furniture was gone with her. The acoustics in the rooms were unfamiliar. Now the police stomping into the café. What would people say? Anger and fear came and went in the long face.

  "You need to close up and come with us. There's something we want to talk to you about."

  "And what might that be?" he said nervously. His voice failed him. Reduced to a mere squeak.

  They drove in silence. The humiliation of having to ask the two women to leave had made him sweat.

  "I'll come straight to the point," Sejer said.

  They were sitting in his office.

  "In the late evening of September 1st you were seen at Norevann. At the tip of the point. You were seen there holding a suitcase. You threw the suitcase into the lake and drove away in your green estate car. We retrieved the suitcase. It belonged to the deceased Poona Bai, who was murdered at Hvitemoen on August 20th."

  Einar's head sank helplessly.

  "We also know that she was with you, at your café. So the question, Sunde, is: why were you in possession of Poona's suitcase?"

  Einar underwent a terrible transformation. In a few minutes he was stripped bare, robbed of all dignity. It was not a pretty sight.

  "I can explain it all," he whispered.

  "I hope you can," Sejer said.

  "That evening a woman came into my café. I already told you that." He hawked and coughed.

  "Yes?"

  "Just to make it absolutely clear . . . What I'm telling you now is the truth. I should have said it before. That's my only crime!"

  "I'm waiting," Sejer said.

  "She sat for a while with her tea. In the corner by the jukebox. I didn't see her clearly and besides, I was busy with other things. But I did hear her cough a few times. There was no-one else in the café then. Just the two of us."

  Sejer nodded.

  "Suddenly I heard a chair scraping and footsteps across the floor. Shortly afterwards the door slammed. I was emptying the dishwasher so it took a while before I went to the table to fetch the empty cup." He looked up. His eyes were flickering. "Then I saw the suitcase."

  "She left it behind?"

  "Yes. But the woman was gone. I stood for a while staring at it, thinking it seemed a bit odd, that you would forget something that big. She was really very upset. So I thought that perhaps she'd just gone outside to get some fresh air. That she'd be back in no time. She wasn't. So I took it and put it in the back room. There it stayed. Should I take it home with me or what? I assumed she would come back for it. It was at the café overnight. Then I put it in the cold storage room – it took up so much space."

  "Go on," Sejer said.

  "I remember hearing about the murder on the radio the next day, but I didn't hear all of it. Such as the woman being foreign. It took a long time before someone stopped by and told me that the victim might be Pakistani. Or Turkish. Eventually I thought it could be her. And her suitcase was in the cold storage room. I realised the seriousness, given that she'd actually been in my café and we'd been alone. You could say that's when I started feeling nervous. Besides, I couldn't be sure it was her. But she hadn't come back asking for her suitcase. So I was worried. And the thing is that as time passed it got worse. Finally I knew it all. That she was Jomann's wife whom he'd met in India. And here I was with all her belongings! I thought, well, they'll catch the murderer anyway, with or without the suitcase. It wasn't going to be crucial to that investigation. So I decided to get rid of it. Who saw me?" he burst out.

  Sejer tried to digest the story which he experienced as irritatingly plausible. For a long time he scrutinised Sunde's flushed face.

  "Someone who wishes to remain anonymous."

  "But it must be someone who knows me! I don't understand. It was quite dark. I didn't see a soul down there."

  "Sunde," Sejer said, leaning forward, "I hope you realise the seriousness of this. If your story turns out to be true, you have withheld vital information in a murder investigation."

  "If it's true?" Einar spat at him. "It's obviously true!"

  "It's not obvious to us."

  "Bloody wonderful! Now you know why I didn't call! I knew it would end up like this. You throw yourselves at every scrap you can get, just like I knew you would."

  He spun round on his chair and turned his back on Sejer.

  "Were you in touch with Gøran Seter during the day or the evening of the 20th?"

  "We don't socialise. I'm nearly twice his age."

  "But you shared something."

  Bitterly Einar understood that he was referring to Lillian. "Not as far as I know," he said. "I've told you the truth. That's how it happened. I recognise now how stupid I've been, but I just didn't want to get involved."

  "That's too late now," Sejer said. "You're very much involved. If you'd called straightaway we could have eliminated you a long time ago. As it is, we have now to look into a number of things. Such as your car and your house."

  "No, damn it, no!" he screamed.

  "Damn it, yes, Sunde. And in the meantime you'll wait here."

  "You don't mean overnight?"

  "As long as it takes."

  "Hell no. I have kids and everything!"

  "Then you'll have to tell them what you've just told me. The difference is that they'll forgive you. I won't."

  He got up and left. Einar stayed sitting, in shock. Dear God, he thought. What have I done?

  Four officers went to Einar Sunde's house. Skarre went straight to the bedroom. A large wardrobe contained linen and towels. It was plain that some part of the contents had been taken; the wardrobe was only half full. He sorted through the piles of sheets and soon found what he was looking for. Green duvet covers with water lilies. Monet's lilies. Perhaps Gøran was telling the truth, perhaps he was here on the evening of the 20th. Or he remembered the design from some other evening, so it wouldn't be an alibi after all. But it was disturbing. They towed Einar's car away for forensic tests. They went over it with a fine-tooth comb without making a significant find. How could a walking, talking, educated human being be so indescribably stupid? Was it not evidence of supreme arrogance? Skarre thought of the beautiful nightgown, the underwear and the sponge bag which Poona had bought in Gunder's honour. He had thrown it all into the lake. What sort of man was Einar Sunde?

  "The worst thing is that I believe him," Sejer said later at the office. Skarre opened a window. He sat on the windowsill smoking.

  "So you'll let him go?"

  "Yes."

  "Gøran is still our man?"

  "I'm quite sure. But he has a strong survival instinct. His physical condition helps him."

  "For my part, I don't trust Lillian Sunde," Skarre said, and told him about the green linen.

  "OK. So she has a set like that. He was there once and noticed it. I don't doubt that they were seeing each other. There are rumours that give it a certain credence. But he wasn't there that evening. When Ulla dumps him he leaves in a fury. He calls Lillian and she rejects him too. He still has the dumbbells in the car. Poona comes walking along the road alone. He stops and talks to her. Perhaps he offers to drive her to Jomann's house. Then he makes a pass at her and she gets frightened. His rage takes over. He never saw the suitcase. Now we know why. It was at the café. Then he kills her. He flees, panic-stricken, and changes his clothes. He simply puts back on the clothes he's worn at the gym. Comes home at 11 p.m. Tells his mother that he's been babysitting with Ulla. We know he hasn't been. The shape and weight of the dumbbells could have caused the injuries Poona sustained. The white powder is from the gym, we know of no other use for magnesium powder. He has no understanding of love. He has a woman or he hasn't. He's incapable of talking about
his feelings. He is obsessed by sex and by having a woman he can show off to. He appears to be in a good mood, smiling and coping well in the circles he moves in, but I suspect that he is callous and very simple. Lacking in the ability to empathise with other people's feelings."

  "You're saying he's a psychopath."

  "That's your term, not mine, and by the way that's a concept I have never quite got to grips with."

  "So you're going to go on wearing him down until you get a confession?"

  "I'm trying to the best of my abilities to get him to a place where he understands that he has to make a confession. In order to move on."

  "What if you don't get it? Do we have enough to go to court with as it stands?"

  "Probably not. And that worries me."

  "How is it possible to smash someone up the way the killer did without leaving any traces of himself? "

  "It happens all the time."

  "There are no traces of Poona in his car. Not a single fibre, not a single hair. Shouldn't we have found something?"

  "She was wearing silk. It doesn't give off fibres like wool, for example. Her hair was tightly plaited."

  "What did he do with the dumbbells?"

  "I don't know. We found nothing on them. He has several sets. Perhaps he got rid of the ones he used to kill her. I want to talk to a number of people. Get hold of them and bring them in as soon as possible: Ulla Mørk, Linda Carling, Ole Gunwald, Anders Kolding, Kalle Moe. And Lillian Sunde." He looked at Skarre. "Anything else? Has Sara called?"

  "Yes. Kollberg is still lying pretty much flat."

  The dog looked up at him with sorrowful eyes when he appeared in the living room. It made a halfhearted attempt to stand, but gave up. Sejer remained standing, looking hopelessly at him. Sara came out of the kitchen.

  "I suppose we have to force him a bit. As long as we keep feeding him he won't make an effort."

  Together they tried lifting Kollberg to a standing position. Sara at the front and Sejer at the back. His paws skidded. But they kept supporting him. He began to whimper and collapsed. They lifted him again and the same thing happened. He was trying to please them so that they would leave him alone, but they weren't going to. They lifted him again and again. Sara found a scrap of carpet to stop him sliding. That worked. The dog's body shook as 50 kilos weighed down on its legs.

  "He's supporting at least a fraction of his own weight," Sejer said brightly.

  Sara wiped the sweat from her face. Her long fringe kept falling into her eyes and she began to laugh. "Come on, you fat lazy dog," she cried. Then they both laughed. Encouraged by all this good humour, Kollberg pushed himself off the ground and stood for a few seconds. Then they let go of him and he collapsed, barking cheerfully.

  "Bloody brilliant!" Sara shouted. Sejer gave her a shocked look. "He's going to make it. We need more exercises for him to practise daily. We're not going to give up."

  "I'll fetch a sausage," Sejer said happily and made for the fridge. Meanwhile Kollberg managed to paddle half a pace across the floor. Sejer came back with a whisky in one hand and a piece of sausage in the other. He stood over Kollberg and gave an uncharacteristically broad smile. Sara had a giggling fit.

  "What's that for?" he said.

  "You look like a big kid," she said. "And you haven't got a hand free so I can do with you what I like."

  He was saved by the telephone. He threw Kollberg the sausage and answered it.

  "They've all been contacted," Skarre said eagerly. "They'll be here tomorrow, one after the other. Except Anders Kolding."

  "Explain."

  "He's done a runner on his wife and everything. To Sweden, I think. Apparently he has a sister there. I wonder what this means?"

  "The kid's got colic," Sejer said. "He can't take it any more."

  "What a wimp! Are you saying we should let him go?"

  "Absolutely not. Get hold of him."

  He hung up and drained the whisky in one gulp.

  "Good grief," Sara said. "That is the most indecent thing you've ever done." Sejer felt hot all over. "Dare I hope for more?" Sara smiled enticingly.

  "Why would I want to be indecent?" he said bashfully.

  "It can be very nice, you know." She moved closer to him. "You don't know how to do it," she said. "You've no idea what indecency is. And that's quite all right." She caressed his cheek quickly. "It really is quite all right."

  Chapter 22

  Linda was lying trembling in her bed when Jacob came out to discover the slashed tyres on his car. She could see it clearly. In her mind she was there comforting him. Later on she went a step further and bought a long-bladed hunting knife. The handle was made from alder. She put it in her bedside drawer and it became so important to her that she kept opening the drawer to look at it. Time and time again she admired the gleaming steel. She tried to picture the blade covered in Jacob's blood. The image was so strong it made her feel all flushed. When he collapsed at her feet and she held him tight she would close her eyes and shut herself off from the rest of the world and the rest of her life. Live only for the second when he drew his last breath. He would look up into her eyes and perhaps in this last second he would understand everything. He had made a terrible mistake. He should have accepted her. Linda held the knife in her hands, she was already comfortable handling it. She had not set a time, but she would wait for him in the hallway.

  When at last he was dead she would call the police and tell them where he lay, anonymously of course. Not only would he belong to her forever, but the case would never be solved. Not until she herself had grown old without ever getting married. Then she would write down her story in a letter and send it to the newspapers. Thus would she become immortal. People would realise that they should never have underestimated her. She felt intoxicated by her own power and it struck her how strange it was that she had not realised until this moment how strong she was. Strong enough to stand alone against everyone else. She wasn't afraid of anything any more. If Gøran got out of prison and came to kill her, she would smile in the darkness. The accused man from Elvestad denies all charges, she read, sitting by the breakfast table with a cup of tea. She cut out the article and put it in the plastic folder. Then her attention was drawn to another story, on page four: "Man (29) found stabbed in Oslo street. He died later from his injuries. The man was found bleeding in the street outside the Red Mill restaurant late last night. The victim had received several stab wounds and died later in hospital without regaining consciousness. There were no witnesses to the incident. The man has now been identified. The police, however, have no leads in the case." Her gaze wandered out of the window to the autumn sky. A paragraph such as this would appear in the paper when Jacob was dead. It was a sign. She started trembling. Cut out the paragraph. Put it in the folder with the others. Imagine, it being in the paper, just like that!

  Suddenly an idea took shape in her head. She took the cutting out of the folder and found an envelope. Put the cutting in and licked the envelope. Wrote on it Jacob's address. It was like a declaration of love. Then it occurred to her that it could be traced. Her handwriting was distinctive, a little girl's handwriting with round letters. She opened the envelope and found another. Wrote the address again using rigid, unfamiliar letters quite unlike her own. She could post it in town. Better than if the postmark was Elvestad. No, she wasn't going to post it at all, but put it right into his letterbox. In his letterbox downstairs in the communal hallway. Oh boy, that would make him think! He would turn the cutting and the envelope over and over, put them down, pick them up again. Perhaps save it. Show it to his colleagues. Linda felt a genuine delight at her ingenuity. Sometimes life worked itself out, rolled itself out like a red carpet. She went to the bathroom. Looked in the mirror. Brushed her hair away from her forehead and gathered it up with a hair band. Now she looked older. Then she ran up to her room and opened her wardrobe. Chose a black jumper and black trousers. Her pale face seemed colourless in all the black: she looked dramatic. She took off all
her jewellery. Earrings, necklace and rings. There was only her pale face with her scraped-back hair. She locked the front door behind her and walked to the bus stop. She stuck the envelope inside her bra. At first the paper felt cool against her skin, but it soon warmed up. Jacob's hands would touch the white envelope, which had been close to her heart. It was pounding now. She felt her nipples harden. Perhaps the envelope would smell of her. She felt the hairs on the back of her neck stand up, the ones she hadn't managed to catch with the hair band. The bus came. She sat down and started dreaming till she felt warm. No-one talked to her. If they had tried, she would have turned around and looked straight through them with glassy eyes.

  "Hello, Marie," Gunder said. "There's something I haven't told you. That may be because I keep hoping you can hear, though I know better. The accident, Marie. The crash. The reason you're here. The other driver died, you see. He's been buried now and I went to the funeral. I stayed in the background, sitting on the last pew. Many people were crying. The service ended in the church, some people prefer that. I slipped out and went to my car. It seemed appropriate to be there, but I didn't want to prolong it; after all, I hadn't been invited. Then a woman came after me, she called out, quite gently, and I must admit that I jumped. It was his widow, Marie. She was about your age. I'm very sorry, she said, I know absolutely everyone in the church, but I've never seen you before. So I told her that I was your brother. I don't know what I'd expected. That she would get angry, or be embarrassed perhaps, but she wasn't. Her eyes brimmed with tears. How is your sister? she asked anxiously.

  "I was very moved. I just don't know, I said. We don't know if she'll regain consciousness. Then she stroked my arm a few times and she smiled. People are much kinder than they are made out to be, Marie.

  "But here's the most important bit. Poona was buried yesterday. It was very beautiful, you should have been there. Not very many people, true, and some came only out of curiosity, but no matter for that. Two police officers were there, too. But you should have seen the church! The vicar paled when he made his solemn entrance and saw the colourful coffin. I went to a florist in Oslo, a man who's a real artist with flowers. I thought that only the best was good enough. I didn't want what people usually order for funerals. Bouquets and so on, in pink or blue. But huge garlands made from yellow and orange flowers. Something truly Indian, if you know what I mean. He was really excited and you should have seen the result. The temperature in the church rose by several degrees. It was like dancing flames on the dark mahogany coffin. We played Indian music. I think her brother really would have approved.